Maybe you’re an actor, or you’ve just finished a degree in drama. Whether or not you have experience with children, if you have trained—or you’re training—in drama, applied theatre or acting, then you can be a freelance drama teacher.
And if you’re already teaching drama, this book will show you how to double, or maybe even triple your income.
As a freelance drama teacher, you will be paid, on average, £25-£30 an hour. Or you could set up your own after-school club and earn £40-£90 an hour. Teach Drama will show you how to do both.
But of course being a teacher isn’t just about making money: it’s about changing lives. A well-taught drama class will give students confidence, a place to be creative and a platform to let off emotional steam. I’ve seen drama change lives over and over again.
Life as a Freelance Drama Teacher
This chapter explains how much you’ll be paid, what kind of work is available and how it fits in with your life and your other projects.
Getting Started
Next we’ll look at how to produce the kind of CV which will find you work—even if you don’t have teaching experience, plus some creative strategies to find the best jobs.
The Interview
Drama teaching interviews are getting scarier, with teaching in front of other interviewees becoming more commonplace. But together we’ll go through everything you need to keep calm, stay in control and land the job.
Lesson Plans
As well as links to some top resources on finding ideas for use in your lessons, I’ve included three fully-developed sample lesson plans for different age groups.
Being a Good Drama Teacher
The key to finding enough good quality work in the long term is building a reputation for excellence. In this chapter we look at how to deal with students, parents and clients, and how to level-up as a teacher.
Classroom Discipline
After applying the techniques in this section of the guide, you’ll be able to walk into a classroom and feel calm, confident and in control, whether you’re teaching three year olds or teenagers.
Directing a Show
Love it or loathe it, the time will come to direct a show, and panicking isn’t an option. This chapter is packed with practical tips to make your shows a success, as well as information on licensing, writing and devising.
Setting up an After-School Club
Setting up after-school clubs can be daunting. Here we go through everything you need to do, step by step, to end up with a profitable, rewarding and fulfilling business.
Insurance, Health and Safety
Here’s exactly what you need to know about before you can move on to more fun things.
Contacts
Here are the contact details of clients who are actively seeking freelance drama teachers on a continual basis, throughout the whole of the UK. Included in the directory: Stagecoach Theatre Arts, Perform, Bigfoot Arts Education, The Pauline Quirke Academy, Theatre Bugs, Pyjama Drama, Jigsaw Performing Arts, The Helen O’Grady Drama Academy, Debutots and many other companies hiring drama teachers.
The book also includes interviews with Sally Catlin, Principal and Managing Partner of Stagecoach Theatre Arts Chiswick, Adam Davenport, Creative Director at The Pauline Quirke Academy of Performing Arts, and Lauren Senatore, Managing Director at Bigfoot Arts Education. Plus a foreword by David Farmer of Drama Resource and advice from other company directors and a variety of successful freelance drama teachers.
I’m already working as a drama teacher. Is this for me?
There are some sections aimed at people just starting out. However, even if you have plenty of work, the strategies I’ve included will help you to raise your rates and attract the best clients.
I’m not based in the UK. Should I still buy it?
The book is aimed at teachers working in the UK. About half the chapters are relevant to people teaching anywhere, but all of the material covering finding work, contacting potential clients, setting up after-school clubs and the legal aspects is strongly focused on the UK.
Can I be a freelance drama teacher and actor at the same time?
Absolutely. Many companies prefer to take on actors and will bend over backwards to accommodate them, allowing them time off for auditions and short term acting jobs. However some companies avoid actors and prefer more reliable teachers. From my experience I’ve noticed about 50% of clients are happy to take on auditioning/working actors.
I don’t live in London, will there be enough work for me?
Yes, there are many drama groups all over the UK, many of which are listed in the book. In fact, areas outside London are some of the best places to find work—if you know where to look.
How can I pay for it?
The website accepts most major debit and credit cards. Sorry, we don’t accept PayPal.
Is your website secure?
Yes, your transaction is processed by Stripe, one of the world’s leading credit card processors, and we don’t store card details (or even see them ourselves).
Is there enough work out there?
Yes! If you are professional, do your research and you deliver high quality drama sessions you will be turning away work. There are many extra curricular drama groups always on the look out for good teachers. Plus many schools are desperate for freelancers to set up after-school drama clubs.
I don’t have a degree in drama or acting, can I be a Freelance drama teacher?
Yes, but you may find it harder to get work. Some organisations require that you are studying on, or that you have a degree, whereas others are happy to take on teachers without a degree. I got my first freelance teaching job at a Youth Theatre aged 18, two years before I began my degree.
Wait, you haven’t answered my question!
Please drop me an email: sam@dramafountain.com.